He’s one of those people that must have more time stored some place. Even with all his titles and interests, he still finds time to teach acting workshops and offer audition coaching.

Let’s find out more about Del Shores with some Q&A:

HIH: I’ve been an Olivia Newton-John fan ever since I watched the film Grease in 1978. It was an honor playing the role of Sandy on the playground during recess. You’ve worked with Olivia Newton-John on Sordid Lives the film and Sordid Lives: The Series on the Logo Channel. What is it like working with this iconic actress?

Del: Olivia is her image. Sweet, gracious, beautiful inside and out. She is wonderful to direct, tries anything I ask and we laugh ourselves silly working on the accent. I also directed her in “The Wilde Girls” in Australia and it was a very special time.”

Olivia Newton-John performs against scenes from the hit TV show Sordid Lives: The Series. Complete soundtrack available on CDBABY.COM and soundtrack and individual songs available on iTunes.

HIH: Sordid Lives started off as a play and includes elements from your own life. Tell us a bit about those elements.

Del: Just watch the Ty/Latrelle pre-funeral scene. Not at my grandmother’s funeral, but most of that dialogue ripped right out of my mom’s mouth — and mine. And Ty’s therapy sessions were mine. I did wear Husky jeans and my mom did change the labels.

HIH: “A black comedy about white trash.” I laugh out loud when I read this tagline for Sordid Lives because there is something universally funny about southern white trash. Why do you think the idea of white trash is so entertaining?

Del: I don’t really consider everybody “white trash” in “Sordid Lives”. That was a marketing “bite” that 20th Century Fox coined when they launched the DVD. I think Southerners/Texans are just colorful and the small things become big (like the mink stole situation in the movie) and with conflict, the comedy becomes real and organic in crazy situations.

HIH: Writing, directing, producing, acting, what do you feel the most comfortable doing?

Del: Well, I will always be a storyteller first and foremost. But when I have the most fun is directing my writing in the hands of great actors.

HIH: Your play Daddy’s Dyin’ (Who’s got the Will?) became a film in 1990 starring Beau Bridges. He was also in Sordid Lives. This seems like a common theme for you having the same actors in more than a couple of your productions. Is this a conscious choice or does it happen by circumstance?

Del: It’s a choice. If I connect with an actor, I start writing for them. And if I’m lucky, they’ll agree to work with me again. Most of the time, I’m lucky.

HIH: Your GLAAD Award-Winning play Southern Baptist Sissies is being made into a movie. What are the challenges and benefits to telling a story on stage compared to on a movie screen?

Del: Well, because of the economy there has been a delay in bringing Sissies to the big screen. I love that play and it was a difficult play to adapt to screen. The screenplay feels more like a hybrid of stage and film — and it helps that I made “Mark”, the story teller, a playwright. So in the film, he gets writer’s block, flies to Texas and sits in the church where he grew up and writes. We push into his mind and see what he is writing.

HIH: Being a housewife myself I’m interested in your play Trials and Tribulations of a Trailer Trash Housewife. I’ve read that it’s a tragic tale about abuse but your flair for funny helps keep the audience from getting too down. Will this production be made into a movie anytime soon?

Del: Probably not. But I wouldn’t rule it out. It’s a powerful piece, if I say so myself. The Samuel French playbook just came out and it will now be done everywhere.

Visit Del Shore’s official website delshores.net for his itinerary, tickets to upcoming events and workshop information. For the Sordid Lives: The Series show schedule visit the Logo Channel online by clicking here.